Post by Pathein.Raindrop.Moe on Aug 9, 2004 2:03:50 GMT 7
From this site, www.angelfire.com/punk4/melmusic/box4.html
What can I say! ..Sebastian’s tribute to post-modernism, affectionately known as the "Pointy Bird" , is one helluva auto filter for guitar.(and many other applications) Looking suspiciously like something smuggled out of deepest Russia, it’s unique appearance belies the processing power available within this pedal. Containing two interactive dynamic filters, it’s probably best left to the designer to explain "The DDF-100 is comprised of two Twin-T dynamic filters driven by a common control voltage derived from the input signal .In other words, these filters rely on the dynamics (loudness) of the input signal to specify their "peak" frequency. Additionally within the dynamic range of the incoming signal, the filter range is adjustable via the two filter controls on the side. The point at which these two filters begin to activate is specified by the sensitivity control at top. The distortion control allows the user to fade in some odd harmonic distortion to further bring out the resonances that lie deep within the program. Varying the release control adjusts the rate at which the filter recovers from being triggered - from fast to slow." The DDF-100 is not only a great processing tool ,but an excellent weapon in the fight against the drunken punter! This is so sharp in every way it could kill!
What can I say! ..Sebastian’s tribute to post-modernism, affectionately known as the "Pointy Bird" , is one helluva auto filter for guitar.(and many other applications) Looking suspiciously like something smuggled out of deepest Russia, it’s unique appearance belies the processing power available within this pedal. Containing two interactive dynamic filters, it’s probably best left to the designer to explain "The DDF-100 is comprised of two Twin-T dynamic filters driven by a common control voltage derived from the input signal .In other words, these filters rely on the dynamics (loudness) of the input signal to specify their "peak" frequency. Additionally within the dynamic range of the incoming signal, the filter range is adjustable via the two filter controls on the side. The point at which these two filters begin to activate is specified by the sensitivity control at top. The distortion control allows the user to fade in some odd harmonic distortion to further bring out the resonances that lie deep within the program. Varying the release control adjusts the rate at which the filter recovers from being triggered - from fast to slow." The DDF-100 is not only a great processing tool ,but an excellent weapon in the fight against the drunken punter! This is so sharp in every way it could kill!
